[caption id="attachment_9641" align="aligncenter" width="600" caption="Walking the streets of Marpole. Photo courtesy of Ren Thomas."][/caption] [Editor's Note: We are happy to present the first of a three InDepth Features covering a trio of special Jane's Walk neighbourhood tours around Marpole, Grandview-Woodland, and the West End. These were organized as a unique partnership between the City of Vancouver, Museum of Vancouver and Spacing Vancouver, in light of the ongoing Community Plan process currently happening in each important district. This will be followed by podcasts of the tour, if you missed the Walks, and a final dialogue event on June 19th. Stay tuned for more information.] This year, the City of Vancouver will be starting community plans for three neighbourhoods: Marpole, the West End and Grandview-Woodlands. In addition to the usual open houses and community meetings, the City has been using its new Public Engagement Division (within its Communications Department) in innovative outreach. On May 6th the City, Museum of Vancouver, and Spacing Vancouver partnered with local residents and designers to hold walking tours of the three neighbourhoods as part of Jane’s Walk. The Marpole walk was hosted by landscape architect and urban designer Margot Long, and local resident Jo-Anne Pringle. Lil Ronalds, the City planner working on the Marpole plan, and City Councillors Heather Deal and George Affleck also attended. [caption id="attachment_9643" align="alignright" width="360" caption="Some of the residential streets within Marpole have significant tree canopies. Photo courtesy of Ren Thomas."][/caption] One of the oldest neighbourhoods in Vancouver, Marpole is economically and socially diverse. Primarily a residential neighbourhood, it is bounded by 59th Avenue, Ontario Street, the Fraser River and Granville Street. This massive area is intersected by several major arterials—including Oak Street, 70th Avenue, and Marine Drive—which contribute commercial and industrial land uses, but have also led to physical and social barriers within the neighbourhood. The legacy of streetcar routes and a branch rail line from Steveston to Vancouver are also evident in the existing land use and street patterns: the Metro Theatre being the last reminder of a thriving commercial hub generated by the interurban rail line.

[caption id="attachment_8176" align="aligncenter" width="600" caption="Photograph by Martin Tessler. Image courtesy of Perkins + Will Vancouver."][/caption] [Editor's note: We are pleased to give Spacing Vancouver reader's a deeper look into Centre for Interactive Research on Sustainability (CIRS) at the University of British Columbia - one of the most ambitious sustainable buildings built in the Lower Mainland to-date. The first part of this two-part series, written by long-time Spacing Vancouver contributor Sean Ruthen, was originally published in the March 2012 issue of Canadian Architect. The Centre for Interactive Research on Sustainability (CIRS) is a new state-of-the-art green building located at the University of British Columbia. This a 5,700-square-metre office building and lecture theatre is remarkable at a number of levels—for just as much as what you don’t see as what you do. Clearly, the photovoltaic arrays, geothermal heat exchanger and heat recovery unit shared with a neighbouring university building are all readily visible, as is as the green roof, the design elements promoting natural ventilation and daylighting, a wood Parallam structure sequestering 600 net tonnes of carbon, rainwater harvesting, on-site solid waste treatment and a living wall on the building’s west façade. What you don’t see however is the 10 years it took to realize the project, during which time the public opinion on climate change evolved from ignorance, to awareness, to ambivalence.

  “When have you had your most engaged life experience?” asked Janet Moore and Duane Elverum. A rapt audience sat in silence for ten seconds. “No one ever says they had their most engaged experience in a classroom, or at a computer,” Elverum said. “Typically it's when they've been connecting their passion with their work, often it's outside, they're often sharing a struggle with others, working with people to accomplish something they couldn't otherwise.” Two years ago Moore, Assistant Professor at Simon Fraser University's Centre for Dialogue, and Elverum, Assistant Professor in design at Emily Carr University, asked this question at a Vancouver Design Nerd Jam in Vancouver. They envisioned a collaboration between the City of Vancouver and postsecondary students, allowing students to work on long-term real-world projects. The idea quickly gained traction at the City, which had just launched its Greenest City 2020 Action Plan. Greenest City Planner Lindsay Cole asked Moore and Elverum to present their idea to the Mayor's panel. With strong support from the Greenest City team, CityStudio was launched in September 2011.

William Whyte got it right: the legendary urbanist created the film "The Social Life of Small Places" that has become one of the best learning tools for students, professionals, and urbanists about understanding the dynamics of public spaces. The films is almost an hour long, but its worth that watch on a Sunday afternoon.

Finding a place to sit on Robson Street can be tricky, especially when the sidewalks are overflowing with people. With the lines of buildings fixed, it can be a challenge to find space for public seating. Yet just off to the side is underutilized space waiting to be recognised as an opportunity for community design. People enjoy walking along Robson to be seen while out for a stroll, some never knowing that one block down Bute is a quiet park block tucked into the West End's network of traffic calming. The West End mini-parks are paved traffic calmers, often with plantings, serving as meeting or resting hubs.

Imagine arriving to work at a downtown historic building, where your workspace has high ceilings, brick walls, and huge windows. You can meet with clients or have informal discussions with colleagues working in industries as diverse as software development, photography and green building; the rest of the time you work at your own desk or a hot desk space. Need to develop new marketing strategies for your fledgling business or learn strategies to foster social change? Just sign up for one of the many workshops offered at the office. HiVE Vancouver is an innovative shared workspace that fosters individuals and organizations in the sustainability and creative sectors. It’s part of a growing trend worldwide: technological developments have made working in virtual space common, and doing consulting work for multiple clients has become a widespread practice as organizations try to keep their costs down. But for small start-ups, non-profits and individual consultants, trying to find affordable office space has become increasingly difficult. Shared spaces mean shared amenities (like meeting rooms, phones and kitchens), a real plus for those that can’t spring for the overhead costs of their own offices. HiVE members have a choice of a dedicated workspace (starting at $475/month) or a hot desk space (monthly plans range from $25/month for five hours to $350/month for unlimited hours). As a non-profit, HiVE uses its member fees to lease and improve the space. But the HiVe is about more than just sharing space: members are “a community of change-makers” who thrive on collaboration, fun, diversity and social responsibility. HiVE Vancouver modeled itself after Toronto's Centre for Social Innovation, which opened in 2004 with the idea that collaboration on the complex problems facing society could produce better solutions. The Centre's founders merged the ideas of co-location (different organizations merely sharing space), community hubs (shared spaces providing direct services to their members such as job training and workshops) and social innovation. Toronto's Centre is an affiliate of the Hub Network, a social enterprise working across 30 cities and 5 continents.

New York City has won the Lee Kuan Yew World City Prize this year for its urban rejuvenation since the devastating Sept 11 terrorist attacks more than a decade ago. Vancouver was one of 6 finalists selected for special mention from 62 submissions from 27 countries. Vancouver was lauded by the jury for “resisting two North American urban trends, the introduction of freeways to the city centre and the loss of residents to the suburbs.” The City was also recognized as an “exemplary demonstration of strong visioning, community values ...

“The Embodied Image: Imagination and Imagery in Architecture completes my study on the role of the senses, embodiment, and imagination in architectural and artistic perception, thought, and making. This interest emerged 15 years ago in my critique of the hegemony of vision and the neglected architectural potential of the other senses, entitled The Eyes of the Skin. This investigation was expanded in The Thinking Hand to a study on the significance of the eye-hand-mind connection, regrettably undervalued in the pedagogical and professional practices of the computer age.” - Juhani Pallasmaa, from the Introduction Author: Juhani Pallasmaa (Wiley & Sons Publishers, 2011) This past week an event occurred which hardly caused most to raise an eyebrow, but in the literary world resounded like a sonic boom— the announcement that Encyclopedia Britannica would no longer be running their print edition for the first time in their 250 year history. I make this observation ironically while writing a book review to be published online, but for me—in particular—hearing about the closing of the printing presses of the Mother Ship of Encyclopedias appears as nothing short of the start of a new Dark Age. Such is also the subject of philosopher-architect Juhani Pallasmaa’s latest book, The Embodied Image, in which he laments the dulling down of our imaginations—both collective and individual—in an age where the image is being increasingly commodified.